My 35mm look for DaVinci Resolve.
I wanted my digital footage to hold rich colour in the shadows, roll off in the highlights and carry the fine grain I love in 35mm film. I couldn’t find a grade that felt right. So I made my own.
In just a few clicks, you’ve got my base look. The full node tree is yours to customise, from the density of the colour to the amount of grain and the warm glow of halation around bright edges.
Camera compatibility
Designed for Sony S-Log, Apple Log on iPhone, ARRI LogC, Blackmagic Design Film and RED IPP2 workflows. You can also use NNP with Rec.709 footage.
My 35mm look for DaVinci Resolve.
I wanted my digital footage to hold rich colour in the shadows, roll off in the highlights and carry the fine grain I love in 35mm film. I couldn’t find a grade that felt right. So I made my own.
In just a few clicks, you’ve got my base look. The full node tree is yours to customise, from the density of the colour to the amount of grain and the warm glow of halation around bright edges.
Camera compatibility
Designed for Sony S-Log, Apple Log on iPhone, ARRI LogC, Blackmagic Design Film and RED IPP2 workflows. You can also use NNP with Rec.709 footage.